Paloma Wool Fall 2025: Maternal Instinct

Release time：2025-03-13 04:06:34 source：Regular & Straight-Leg Jeans_Außenministerin Baerbock Ende einer Amtszeit auf "Highspeed"

Paloma Wool Fall 2025: Maternal Instinct

Never Fully Dressed Dorris Sequin Maxi Skirt

PINKO Chamonix maxi dress Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights black silk blend crepe de chine rear zip fastening V-neck cut-out detailing ruched detailing strap detailing wide sleeves fitted waistline asymmetric hem Composition Acetate 69%, Silk 31% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Read Manufacturer Guidelines The washing method is subject to the commercial washing standard Product IDs FARFETCH ID: 23870189 Brand style ID: 103872A207

Paloma Lanna utilized wool and leather to conjure a sense of protection for fall 2025. “I’m very pregnant, and I wanted to protect myself and be like a cocoon. Through the collection, I wanted to protect the girls, too, and to make them feel empowered,” Lanna said. The soft and tactile wool was wrapped around the body for an armor-like silhouette, as seen on a friend of the house, Japanese model Kiko Mizuhara, who attended the brand’s Los Angeles pop-up last fall. Lanna also toyed with leather, cutting it into rectangular shapes and attaching them to sheer slip dresses, creating her own Spartan warriors. At the same time, Lanna offers great shirts, leather pieces, and relaxed-fit harem pants. The designer also explored the idea of the body as a container. She referenced American author Ursula Kroeber Le Guin’s book “The Carrier Bag Theory of Fiction,” which theorized that the earliest cultural inventions must have been containers to hold gathered products. You May Also Like She chose the Lycée Henri-IV library as the show venue because a library is the ultimate container of humanity. Lanna believed that humans are containers of histories, and the collection was assembled to reflect that. “We tried to design different personalities to show that I understood them as containers of histories of different characters,” she said.

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